Go Wolves Go!

My nephew Brett is now a relief player for The Sudbury Wolves. For the past couple of weekends he has been playing on the team.

They played yesterday in Brampton and Alexander and I went out to watch the game. We got tickets right behind the visitors bench so we could "say hi" to Brett through the glass (without embarrassing him, of course)

It was an amazing game. Brett played really well, the team kicked ass (they won 3 to 1), the Wolves goalie was a superstar; and Alexander was delighted to see his cousin playing.

I kept thinking back to how, when I was a kid, heading into Sudbury to see the Wolves play was an amazing experience. I was not only delighted to share that excitement with my son, but also proud to watch Brett playing on that very same team I adored when I was a child.

I know that Brett's father, who passed away two years ago (my cousin Kevin - we were raised almost like brothers), would be VERY proud.

I know I was proud to watch Brett play for the Wolves.

Go Wolves Go!

Switch - An Erotic Horror Story

Back in January 2009 I had an erotic horror story "Switch" published in Black Ink Horror XXX (published by Sideshow Press) - it was limited to 100 numbered copies.

"Switch" was, to that date, the most shocking, horrific and erotic story I had ever had published.

"Switch" is about a psychiatrist who, in a desperate attempt to cure a misogynistic patient, undergoes an experimental body-switching therapy.

Part of this therapy, meant to force an empathetic reaction in the patient, includes having sex while in the other person's body. Some nasty side-effects occur within the fragile mind-body link in both doctor and patient, leading to some rather cruel, usual and disturbing activities.

I recently created an eBook for this dark erotic horror tale and it is now available at Amazon and Smashwords for 99 cents.

The cover was something I struggled with. The art that accompanied the story when it appeared in Black Ink Horror XXX was effective, but way too graphic and revealing. I also wanted to use some sort of photographic image.

Because it was both horror and erotica, it was difficult to come up with an image that properly denoted both.  The one thing I knew for sure was that I did NOT want to use the stereotypical "sexy" vampire bite with blood leaking down the neck picture that a lot of erotic horror seems to employ.

I purchased a stock image of a "Demon Girl" which I felt captured the essence of the insane cruelty that takes place in the story, particularly in the female protagonist, Dr. Connie Watson. And because the model is somewhat sexy and alluring (in a psycho-patient, demon-possessed disturbing sort of way), that hopefully covers the suggestion of erotic elements of the story. Of course, the tale is more horror than erotica - and it is DEFINITELY meant for adults (especially non-squeamish adults) - I feel that this image effectively portrays the dark horrific and disturbing elements of the tale.

The story runs approximately 4000 words.

Here is the opening . . .

Switch (By Mark Leslie)

Dr. Connie Watson stared at the naked body in front of her, admiring the way the breasts slightly pouted to the sides yet pushed forward and up. She gazed down the slender stomach, the gentle curve of the hips, then in to the blonde bush of pubic hair.

This was the first time she was ever able to examine her own body without the usual restrictions of a mirror.

It was incredible. The ritual of mutual projection had actually worked.

Her eyes traced the shapely tanned legs and then wandered back up, past the pelvis, past the breasts and to the face. She stared at the round face framed in short blonde curls, at the tiny nose and the full red lips.

But looking at the eyes, she knew it wasn’t her inside. She could tell that it was Bob’s spirit projected into and controlling her body, for the eyes -- though the same beautiful green -- were wide with confusion and perhaps fear. They were also filled with something she recognized in the eyes of men who looked upon her. Lust. His eyes were fixed down on the crotch area of the body Connie was now inside of -- Bob’s body.

As he leered at her, she became aware of a strange stirring below, and as she glanced down she realized she was beginning to have an erection. What an interesting mixture of pleasure with the strain of eager, somewhat painful anticipation. And all from looking at her own naked body. It was amazing that men could become aroused so easily upon visual stimulation.

“Incredible,” she said, staring down at the growing shaft.

[end of preview . . . . to read more, check out the ebook on Amazon or Smashwords]

(the tale will eventually be pushed into other ebook retailers via an automated feed from SW)

I had to cut the preview off there because that's where the fondling and other more adult activity begins to happen . . .

In any case, I decided to push this out as an eBook partially to follow up on the experimentation that I did with my short love/Ghost story Spirits (Amazon, Smashwords, Kobo) and partially to test the theory that erotica and erotic fiction is one of the better selling genres.

We'll just have to see how that goes.

I Have A Bad Feeling About This

Last night, my son and I were playing and, jokingly, he said: "I have a bad feeling about this!" I immediately recognized it as a "George Lucas" line and started laughing, because I realized that this "got a bad feeling" or "have a bad feeling" line is one that is used multiple times in the Star Wars movies.


Funny how a seven year old points out something that it took this 42 year old about thirty years to discover. I learn a heck of a lot from my son.

Adults should spend more time listening to children.

Alexander and I, Halloween 2011

From Wookipedia, here are the uses in the 6 films . . .

    Star Wars Episode I: The Phantom Menace

    "I have a bad feeling about this."
    ―As Obi-Wan Kenobi's first line at the beginning when Kenobi talks to Qui-Gon Jinn onboard Saak'ak

    Star Wars Episode II: Attack of the Clones

    "I've got a bad feeling about this."
    ―Anakin Skywalker at Geonosis in the arena, in reference to the approaching execution beasts

    Star Wars Episode III: Revenge of the Sith

    "Oh, I have a bad feeling about this."
    ―Obi-Wan Kenobi talking to Anakin Skywalker as their starfighters approach a large, closing blast door on Invisible Hand

    Star Wars Episode IV: A New Hope

    "I have a very bad feeling about this."
    ―Luke Skywalker, when the Millennium Falcon approaches the Death Star

    "I've got a bad feeling about this."
    ―Han Solo, before the walls of the trash compactor start to close in

    Star Wars Episode V: The Empire Strikes Back

    "I have a bad feeling about this."
    ―Princess Leia, while inside the belly of the space slug, just before the mynocks appear

    Star Wars Episode VI: Return of the Jedi

    "Artoo, I have a bad feeling about this."
    ―C-3PO, when entering Jabba the Hutt's palace

    "I have a really bad feeling about this."
    ―Han Solo, after the Ewoks capture the strike team

Here's a YouTube collection of clips from those movies . . .



Wookipedia also has a listing of uses in books, comics, computer games, the Clone Wars series as well as an extensive use of the phrase both in other George Lucas projects as well as outside the Lucas owned realm.

Self Publishing Success: Digital Book World 2012 Summary

I attended Digital Book World 2012 in New York this week.

It was a great conference with a lot of fascinating discussion about ebooks and the future of the publishing industry. Of course, as new and exciting as the digital space is, there are already tired old discussion points that feel as if we’ve been talking about them for the past 10 years.

Oh wait a minute, we HAVE been having these discussions for at least a decade now.

I’ll take that frustration with a grain of salt because, after all, the publishing industry hasn’t had a major significant change or alteration for about 500 years – so please forgive the industry if it takes a couple of decades for them to get their head around another significant change.


Given my own role within this industry (Director of Self Publishing & Author Relations at Kobo), there was one particular session that interested me a great deal, so I wanted to focus on the Doing It on Their Own: Self-Publishing Authors Find Success panel that happened on Wednesday afternoon.

Jeremy Greenfield did a great job moderating this panel which featured Tony Van Veeth from BookBaby and independent authors Bella Andre, Elle Lothlorien and Bob Mayer.

There were some interesting discussion points, facts and quotes tossed out that I thought was interesting to share.

• Bella Andre sold 400,000 copies of her books in a year and made 1 million dollars in 2011 – the largest monthly “royalty” cheque she rec’d in 2011 was $75,000

• Elle Lothlorien has gone with a philosophy of higher price points for her books and was able to quit her day job in June 2010 to focus on her writing/self-publishing career.

• Lothlorien also states that while she doesn’t subscribe to some of the popular self-published authors like JA Konrath or John Locke who have priced their work at 99 cents, she highlights the importance that you “have to hear all the sides and all the opinions” and make the choice that is right for you.

• Bob Mayer, who not only thinks outside the box but says he and his publishing company designed to help self-publish authors “don’t believe in boxes.”

• Mayer also doesn’t believe in backlist any more based on the manner by which ebooks can be discovered and consumed in this new environment. “If you have backlist you have CONTENT” he says. “That’s GOLD!”

• Mayer believes the traditional advance model has to go away, which would ultimately put less pressure on publishers and more pressure on the actual performance of a book’s sales.  

• Mayer believes that nobody markets the book as well as the author “because nobody cares as much as the author.”  He says that whether a book is self-published or published with a major publisher, the onus is on the author. His frustration is outlined in this statement:  “You go to BEA and see Random House pushing four authors from their entire Fall catalog.”

• Andre hasn’t just seen success in the English language market in North America, but she believes strongly in the global distribution of her titles through multiple languages. She has a team of between 26 and 30 consultants working on her books in foreign languages. And a huge bonus to this author, but she ensures her teams translate not just the content of the book, but take care to translate the metadata.

• Tony Van Veeth, whose BookBaby offers authors various a la carte services ($49 to $250 cover design, for example), recognizes different authors will choose different approaches. 

• Towards the end of the session, Van Veeth commented that “Bella is the most extraverted person in this room, perhaps even in this hotel” highlighting the fact that sometimes authors (particularly reclusive types) might need the support and help from either a traditional publisher or a company like his or Mayer’s

• Andre, who was at the conference specifically to build relationships (she reached out to me weeks before the conference, securing a lunch date with me – an enjoyable and fascinating chance for us to chat one on one and face to face).  “My content is great,” she says, “But my relationship with my retailers is key to my success.”

• Andre offers another bit of advice to self publish authors. “Pay attention!” she declares in a loud voice. As illustration of this, she explains how she follows and pays attention to industry trends, what new markets ebooks are being expanded into, who is moving where within the industry. (Again, she was following the progress of Kobo, noticed they had posted a job for my position and knew exactly when I started in my new role)

Death By Salsa Recipe

My buddy Chad visited a Pepper Palace location in Myrtle Beach when he was in the U.S. over the holidays and brought me a jar of Death by Salsa.

Here is the description from their website:

"This ridiculously hot salsa is sure to push the envelope of pain for all but the “tongue dead.” It has a phenomenal sweet flavor for all those who can endure the heat. The Habaneros, Jalapenos, tomatoes and onion supply the flavor while pepper extracts supply the fire If your taste buds must die let it be Death by Salsa"

Needless to say, this salsa is ridiculously hot and painful. Perfect for a chili-head like me.

The one drawback to it, though, is that, because of the intense and over-the-top heat it delivers, most people can't really do more than dip an edge of your chip into it and then eat it.

But with salsa, don't you really want to scoop up a nice big chip-full? If the average person (even one who likes hot and spicy food) did that with this salsa, they'd still regret their boldness. Having watched more than a dozen people try it, there were only 2 or 3 people who didn't gasp and get a panicked "oh no, what have I done" look on their face when trying just a tiny bit on the end of a tortilla chip.

I solved the issue yesterday by mixing Death by Salsa with a couple of other ingredients adding a different flavour to it but allowing the opportunity to dip and scoop and really experience the dance of taste buds that ultimately lead to the nasty tongue and throat-burning sensation the salsa delivers.

I took three equal parts of Death by Salsa, spaghetti sauce (Francine's home-made sauce with lots of chunks and flavour) and Kraft Three Cheese Ranch Dressing & Dip and mixed them together. The sauce cut the heat a bit and added a bit of chunky flavour and the three cheese dressing further cut the heat and added a cheesy sort of tang.

This blending allowed me to scoop up generous portions but it still delivered a painful blow of pain.

You could easily substitute spaghetti sauce for a mild or medium salsa and the three cheese dressing for sour cream or a plain yogurt to offer a similar cutting, chunk adding effect.

And for those less adventurous, I would strongly suggest you don't go with 1/3 of each, but rather 1 teaspoon of Death by Salsa mixed with a full cup of sauce of salsa, and adding perhaps a couple of tablespoons of the cream sauce. Trust me - most people will still find THAT too hot.

I, Death Begins Anew

Back in 2006 I experimented with the idea of rolling out a novella length story in blog format.

The idea was the story would be told from the POV of a young man, Peter O'Mallick, who was writing an online journal as a way of dealing with the loss of his girlfriend and the belief he was inflicted with a death curse, causing others around him to die.

The story was called "I, Death" and was inspired by an extremely short story I had originally written when I was about 16 as well as a sequel to that tale, which I wrote when I was 20.

I had taken these "truck" stories and, finding something worth exploring further, was going to attempt to merge them into a slightly longer, combined piece.

That's when the idea of rolling out the tale in blog format struck me. I took the original short piece, which was told in person first narrative, and started to modify the structure into an online journal format. By the time I had constructed the first three or four posts I thought it might be fun to tell the story live. All I knew for sure were a few specific plot points I wanted to cover as well as how the tale would end. Everything else would be constructed on the fly and filled in as I went.

So, on Wednesday January 18, 2006, I began to tell Peter O'Mallick's tale. Or rather, Peter started to tell his tale. A few friends started following the story. People started to comment. Some of them, who thought Peter was real, needed to be contacted to have their minds put at ease and ensured they knew that both he and his tale were fiction - intrigued with Peter's unfolding story, they continued to follow along.

One of the great things about making the story up as I was going is that I had the pleasure of responding to comments and feedback and modifying certain story elements as I went along, either to tease the readers or to play upon the things that touched them the most.

At one point, there was even a "two paths in the woods" moment where I wasn't sure if I should go left or right, and the readers responded with their votes which affected my decision.

When the story finished, the sequel storyline (which had still been mostly untouched) was still there; but I had invested so much time in character development that I was moved to keep writing the story -- as in, sure, this tale is over. But what might happen next? How might this tale continue?

Those questions were eventually answered with a book length manuscript that incorporated the original online journal. After a couple of years of pitching the book, it found a publisher. My novel I, DEATH is scheduled to be released in November 2012 by Atomic Fez.

So what better way to celebrate than by offering readers who weren't along on that first journey to enter Peter's world, see the pain and tragedy through his eyes? Particularly since the years lined up perfectly and Wednesday January 18, 2006 so easily transforms into Wednesday January 18, 2012 - at least date-wise. Some elements, of course, needed to be updated to better suit the setting. I mean, I couldn't have Peter visiting a Borders anymore, now could I? Just kidding. The story takes place in Levack, Ontario (where I grew up) and in Sudbury, Ontario (about 45 minutes SE of Levack and, from the POV of a person growing up in Levack, the nearest "big city.")

The story, which does tell a complete tale in and of itself, is speculative horror of an extremely graphic and adult nature. It is not for the faint of heart and contains adult situations meant for those 18 or older.

If you're interested, you can check out the tale as it unfolds on Peter's blog, you can also subscribe to the RSS or even receive the story via email. For those who prefer all their action in Facebook, I've created a profile for Peter O'Mallick there so the story can be consumed within that realm.

And if you're following the tale along, do let me know what you think . . .

Strike

Today, a good part of the internet is going on strike to protest SOPA and PIPA.