Obsessions, the November 2020 anthology I edited, was recently reviewed by Victoria Silverwolf of Tangent Online.
Here are some of the highlights from the review.
In “The Last Julian” by Annie Reed, a man creates multiple robotic duplicates of his dead son over many years. An act of nature forces him to consider how he has wasted his life trying to recapture the past. This is a simple but effective fable, which touches the reader’s heart while avoiding sentimentality.
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“A Rare Bird” by Joe Cron features the last ivory-billed woodpecker on Earth. In the tradition of Felix Salter’s classic novel Bambi: A Life in the Woods, the animals in this story are depicted realistically, except for the fact that they can talk to each other. Alternating sections of narration deal with the woodpecker’s long, arduous flight from Cuba to Arkansas, and a boy with a terminal disease whose hobby is birdwatching. The two characters come together in a bittersweet ending.
The author skillfully manages the difficult task of writing an animal fantasy that is neither anthropocentric nor whimsical. The story’s conclusion is emotionally satisfying without denying the reality of the characters’ plights.
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In “Bringing Light Into Darkness” by Dayle A. Dermatis, a woman uses a time machine to prevent her grandfather from suffering an act of injustice as a young man. The theme of changing the past is a familiar one, with no surprises in the plot. The main appeal of this straightforward tale is the way in which it deals with racism in the Jim Crow era without becoming melodramatic.
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The ghost of an actuary haunts an office in “Silver Linings” by Leigh Saunders. The dead man was a chronic worrier, and the presence of his specter casts a gloomy pall over the other employees. After multiple unsuccessful attempts to distract the ghost from his anxious mood, his coworkers make use of him to boost their company’s business.
This is a lighthearted story, with a wry look at the workings of a corporation. A reader is likely to smile at it, without laughing out loud.
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“Everything Got Colder” by Dean Wesley Smith takes place after civilization breaks down from a series of crises. The story’s only character lives alone in an abandoned subdivision. Over time, the last functioning parts of society, from mail delivery to the few remaining banks and stores, disappear.
The plot has a compelling inevitability to it, as things go from bad to worse. This slow apocalypse is chillingly plausible, but some readers may find its complete lack of hope depressing.
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“The Tooth Fairy” by David Stier is a grim tale set during the Korean War. The protagonist is an American soldier who pulls gold teeth from the dead bodies of enemy soldiers. As if this were not ghastly enough, he keeps written records of his treasures, adding bonus points to his score if he killed the victim himself. A mission to search a hill covered with corpses for the presence of any living opponents leads to an even more gruesome encounter.
Although there are no supernatural elements, the story definitely qualifies as horror fiction. The antihero’s coldblooded nature is powerfully conveyed. The author paints a compelling portrait of the banality of evil.
And while I realize that not every single story is going to affect every single reader in the same way, I'm always pleased when a reviewer finds the compelling things that attracted me to want to include a story in an anthology.
Interestingly, as you can see in this last photo, when I embarked upon creating the Obsessions anthology, I had no idea that there had been an anthology of the same name published in 1991 aned edited by Gary Raisor. Interestingly, Dean Wesley Smith and Kristine Kathryn Rusch both have a story in that one too.
Although, Gary's anthology is a horror anthology, so it's far darker. Mine crosses the genres from science fiction, to contemporary/literary fiction, mystery, and horror.
